인간의 친구로, 가족으로 함께하는 동물들과의 웃고 우는 일상을 애니캠(animal+cam)을 통해 들여다보며 반려문화 전반을 아우르는 프로그램

In 2012, the Saenuri Party won the election and took power. But after the defeat in the election in 2016 and the subsequent impeachment, the regime changed over to the Democratic Party. What will be the result of the parliamentary election in 2020?

Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

Eun-ah in her 20s, who has yet to become independent or get a job after graduating from college, comes to Changwon, a strange city to meet her friend. But she loses her cell phone as soon as she arrives in Changwon.

“대본? 나는 필요 없어.” 　　오직 관객과의 실시간 케미로 터지는 진짜 웃음! 　　대한민국 최초 100% 애드립, FULL CROWD WORK SPECIAL! 　　연인, 친구, 직장, 그리고 성(性) 　　우리가 맺고 살아가는 모든 관계를 가감 없이 풀어낸다. 　　관객과의 필터링 없는 대화 속에서 터져 나오는 더욱 강력하고, 거침없는 유머! 　　준비된 농담 없이 즉흥적인 기지와 날카로운 센스만으로 무대를 장악한다. 　　현장에서 쏟아졌던 폭소와 긴장감 넘치는 순간들을 이제 스크린에서도 만날 수 있다! 　　수위 조절? 배운적 없음, 검열? 알빠아님. 　　오직 극장에서만 경험할 수 있는 날것 그대로의 스탠드업 코미디!

Cheol-ho is a spinal cord injury patient who became paralyzed due to a sudden accident. 　　His only guardian was his father, Seong-gyu, until he died in cancer. Seong-gyu, a wealthy man, foresaw that leaving his son with a large inheritance and no family would make him vulnerable to unscrupulous individuals. To protect Cheol-ho, Seonggyu legally acknowledged Ji-eun, a child born between Seong-gyu and his mistress, as his daughter after thirty years of estrangement. Ji-eun discovers that she has also been appointed as Cheol-ho’s guardian. Seong-gyu has tricked her into a financial trap that requires her to keep Cheol-ho alive for over 10 years if she wants to be eligible for inheritance.

Cho-dong is an unknown writer who thinks of himself as a black pigeon. A complex city with people who call ostentatious and foolish tastes beautiful. He calls them peacocks. When Moha appears infront him, his firm beliefs begin to waver. A day of searching to find Moha again, who disappeared before his eyes while avoiding the peacocks. Will he be able to find his own answer about beauty?

Two girls with the same name meet at a swimming pool and quickly become best friends. Yet, the fear of being alone again looms over them. As their dark emotions from this fear rise to the surface, the story takes a dramatic turn with a big splash in this thriller about teenage girls.

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. 　　A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)